Salvador Dali, Dadaism and Surrealism

Salvador Dali, Dadaism and Surrealism Intelligence without ambition is a bird without wings The human mind is a very controlling device and organ. However it is not perfect in the way it processes things. Illusions for instance are visual stimuli that swindle the brain because the brain cannot process all visual imagery accurately. Why do we see puddles form up on the road whilst driving on a hot day? Why do certain parts of a drawing look bigger while in actually fact they are smaller? There have been numerous artists that have used illusions in their works, Scott Kim, M.C Escher, but what really brought fame to the surrealists in the 1990s? The Spanish painter Salvador Dali. A small amount has had such an impact on society as the eccentric painter whose paintings obsessed audiences for many years. Dali was immensely popular in the art community for his originality in work, and several of his paintings now stand as icons for his era. Dali was admired by the public because he embraced innovative ideas of the time, many of which were integrated into his works as well as his life. He continued to implement new ideas as times changed, which allowed him to keep his popularity within the public and art enthusiasts, possibly making him one of the most distinguished artists of the 1990s. Salvador Dali (Salvador Felipe Jacinto Dali i Domenech) born in May 1904, in a minute town of figueres, in a region known as Catalonia. His parents gave him a lot of support as a young child, his first studio built for him at a very young age. Dali knowing that his parents recognised his potential from very early on gave him full support, until he reached the San Fernando Academy of fine arts in Madrid. All of Dalis life he was distressed by many issues and complications, such as the death of his wife gala and the war, resulting in him being put in a state of paranoia. Nevertheless, he related to these problems, and his paintings gave him an opening in such ways that allowed him to express his feelings to a great extent, this also gave the public a viewing insight into his work, by examining his paintings we could also relate to them and see for ourselves how his paranoia overwhelmed him. Paranoiac-Critical In relation to this Dalis paranoia, a psychological method known as paranoiac-critical was created. The Paranoiac-Critical Method was developed by Dali as a way for him to dig out his internal emotions. It was an approach for artists to work throughout their obsessions by ultimately selecting and organizing meticulous objects on the canvas. Dali explained his paranoiac critical as a Spontaneous method of irrational knowledge based on critical and systematic  objectivities of delirious associations and interpretations. When combining a method into a piece of work, usually a functional process of the brain is used to visualise imagery in the work, to combine these into the finished creation. Dali often used double imagery and multiple imagery, which then resulted into unclear images allowing them to be interpreted in different ways. Two good examples of Dalis paranoiac- critical method and double imagery is the The invisible Man and Slave Market with the Disappearing Bust of  Voltaire, for both of these paintings he has cleary used double imagery to trick the eye into thinking there is only one solid image but infact multiple images are present. Disappearing Bust of Voltaire the Invisible Man I see the paranoiac- critical method as being effortless, in my opinion Dali is fooling himself into going insane, while remembering the cause for madness is actually to create a work of art. Dali chose the difficult way by truly going crazy, rather than motivating madness through chemical means. As one of his quotes say, I dont take drugs. I am drugs, Andre Breton poems of Andre Surrealism was an artistic and literary faction that began in 1922 led by the French poet/ critic Andre Breton. Breton was the originator and primary theoretician of Surrealism, and artist association Committed to examining the unfounded, paranormal and intuitive aspects of the human mind. Surrealism sought to reinstate conventional moral and ethical concepts with beliefs of anger, hatred, etc, expressing emotions exaggeratedly that Breton described as exalting the values of poetry, love, and liberty. The surrealists attempted to bypass conscious determination and allow their unconscious take over their works. To explore the subconscious mind, to go beyond the typical thinking person. Dadaism and Surrealism Dada was a movement approximately around the same time as the first world. Dadaism was like a dispute against war, but not war but art. It was an anti- art. Dadaism felt as though the public no longer deserved the privilege of beautiful art that they had become so adapted to because of how the war came upon them, the feeling that people lost their well being and value. So Dadaism intentions were to make art unsightly, ugly. Surrealism emerged from what was still left of Dada (a European society characterized through its so called absurdity and lack of traditional standards, sometimes referred to as (nihilistic) a life without objectives or values. During the early years of the mid 1920s and not like Dada, Surrealism alleged a capable and more positive outlook of art and from the outcome of this it went on to win several converts. Surrealism got its early era as a literary, not artistic, movement in French publications. One thing that Surrealism and Dadaism had in common was their fai th in the understanding of the unconscious mind and also its manifestations, together they understood that throughout the unconscious mind an overabundance of artistic imagery would be unveiled. Together both called automatism. A good example of Dadaism is Marcel Duchamps three dimensional piece The Fountain its not what you would describe as a great piece of art. The Fountain is what Duchamp would call a readymade. This piece is essentially a urinal with the word MUTT printed on it. I think this shows an ideal example of Dada for three reasons: to begin with it is in no way like art before, secondly the resources used are not what you would describe as standard art materials and thirdly this piece makes no sense what so ever. There is an obvious variation between this and Salvador Dalis Persistance Of Memory, in what i would describe as Duchamp slapping this piece together , on the other hand Dali has carefully painted in vast detail his thoughts, his mental image. This painting by Dali is what he would portray as hand- painted dream photographs - reuniting the unconscious mind with realism, reality.

Male Dominance in Marriage Essay

The main female characters in Kate Chopin’s The Story of an Hour and Charlotte Perkins Gilman’s The Yellow Wallpaper similarly provide the concept of male dominance in a traditional marriage. This is achieved through the vivid description of both Mrs. Mallard and the narrator’s emotional burdens as they fulfill their obligations as their husbands’ wives. Albeit not directly stated in any of the two stories, the very situations of the wives in the hands of their husbands already show the negative effects of male dominance in the emotional well-being of women in marriages. Kate Chopin’s The Story of an Hour may have started to establish the personality of Mrs. Mallard as a sensitive woman who dearly loves her husband. Gradually, Chopin reveals an ambiguity in the feelings of the character as she describes Mrs. Mallard that, â€Å"When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under her breath: ‘free, free, free! ’† (Chopin, ). Gradually, readers are given a wider view of how Mrs. Mallard feelings are becoming. â€Å"There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature† (Chopin, ). However, in the end, readers are implicitly informed that the cause of Mrs. Mallard’s death is due to the realization that her husband is actually alive. â€Å"When the doctors came they said she had died of heart disease –of the joy that kills† (Chopin, ). The last statement gives out the message that the joy upon seeing her husband alive is not actually the reason for her death but rather because of the freedom that has been lost when he appeared at their doorstep. In this story, the Mrs. Mallard secretly endures a miserable life with her husband which can be blamed on women’s domesticity. After a moment of grief, she becomes glad that she is finally free from the demanding grasps of her husband. The pressures and demands brought about by the society’s claim that women’s role are merely for domestic purposes pushes Mrs. Mallard into being grateful for her husband’s death. This is, of course, a wrongful act however it is triggered by the character’s desire for liberation. Mrs. Mallard’s suppressed desire for liberation somewhat mirrors that of the narrator’s in Charlotte Perkins Gilman’s The Yellow Wallpaper. The problem of male dominance in a marriage can also be observed as the writer uncovers the mental and emotional effects of male dominance and social pressure to women. It is a story about the wickedness of confinement—literally and psychologically. In the story, the narrator’s husband locks her inside a room with yellow wallpaper because he believes that she would be cured of her post-partum depression due to recently giving birth. He thinks he could cure her by means of rest cure treatment. This symbolizes the very prison that the husband made for his wife when he married her. As a result, the wife resorts and depends on the images that the yellow wallpaper provides her. She begins to see images crawling and creeping inside it and starts hallucinating, thus, worsening the mental state of the wife. The story is an entire symbolism of women being manipulated fully by men. The husband’s way of taking charge of his wife’s mental health signifies the concept of male domination in the story. â€Å"If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression—a slight hysterical tendency—what is one to do? † (Gilman, ). The narrator’s question reveals the powerlessness of a woman in her society if a â€Å"physician of higher standing† whom she refers as a man has already made a conclusion and solution against her will. In a thorough analysis, the husband symbolizes the patriarchal ascendancy that restricts women’s lives. They are expected to always follow and obey their husbands and fathers as they are believed to know the best for everyone. In Kate Chopin’s The Story of an Hour, readers are exposed to the concept of a wife trying to bear the news of her husband’s death and the ambiguity of her feelings towards it. In Charlotte Perkins Gilman’s The Yellow Wallpaper, the author presents the ongoing problem of male dominance over females. Nonetheless, both stories deal with how husbands usually hold the authority in a household and the extremity of such authority can lead to esteem and emotional problems for women. Works Cited Chopin, Kate. â€Å"The Story of an Hour. † Literature and Society: An Introduction to Fiction, Poetry, Drama, Nonfiction. Eds. Pamela J. Annas and Robert C. Rosen. Englewood Cliffs, NJ: Prentice Hall, 2009. pp. 358. Gilman, Charlotte Perkins. â€Å"The Yellow Wallpaper. † Literature and society: an introduction to fiction, poetry, drama, nonfiction Eds. Pamela J. Annas and Robert C. Rosen. Englewood Cliffs, NJ: Prentice Hall, 2009. pp. 307

Is music a good tool for health? Essay

According to the article, â€Å" Is Music a Good Tool for Health â€Å", by Elizabeth Scott, hospitals are using music as therapy to treat different illness, such as depression, pain, movement, and even cancer. First, the author states that research shows faster beats helps with concentration and focus, while slower music calms the mind. However, music has a lasting effect on an individual that is positive. Next, she claims that research also shows music therapy can help with breathing, heart rate, and relaxation. Lastly, she mentions that music can be used to control chronic stress and anxious. One Idea that I find significant from the article â€Å" Is Music a Good Tool for Health†, is â€Å" Hospitals are beginning to use music therapy to help with pain management, depression, to promote movement, to calm patients, to ease muscle tension, and other benefits. † In other words, music is beginning to have an important roll for different treatments in hospitals, by helping patients who suffers of different illnesses. One example that supports this idea is when I got pneumonia, two years ago. I had to stay in the hospital for like about two to three weeks, but the idea of staying there for that long was already killing me. The first two days were the worst days of my life, I remember how I didn’t even want to eat, and because of that my defense was going down and down, which was not good at all for my illnesses. However, since I had a studio recording I used to make beats, so I asked my brother to synchronize my iPad with some of the projects I have done it, and bring it to me. Once I got it I downloaded a beats maker application named â€Å" Fruit Loops Mobile â€Å", which I was going to use to work with the projects I had. I started of doing corrections and improvements on my beats, spending almost all the time of my days listening to my music on my iPad. The concentration and dedication I putted to listen to my music every day and make every effect sounds great, walked my mind away into a certain point that I forgot I was not home or I had a disease. The medications I had to take every two hours, the nurse routine of checking my defense every day or having my mother on top of me so I could eat right were not a way to annoy me, as long as I was able to listen to my music I was pleasure to do everything they said. After all, I left the hospital in only 10 days, which was at least 4 days, less than what we all expected. With this personal example, I proved that music therapy does promote benefits to health. In addition, I found that music helps people to keep a stable behavior and stay them away from stress. I remember when I was in the hospital; there was a lady next to my room who suffered of depression. I felt bad for the girl because nobody was coming to visit her; therefore, she was always crying and screaming that nobody loves her. It was a really sad, I felt empathy for her. However, that could not disturb my mind, once I started of listening to music I forgot about the world. It is like if I did not heard the lady screaming or crying, all that remains in my mind were waves of melodies from the songs and beats that I was listening to. It was all about the music. In conclusion, I truly agree with the author that music is an amazing medicinal therapy. I prove this with the two personal experiences I wrote down before. Besides a great method of relaxation, music also promotes good health for any person who consumes it at its best.

Holocaust Monuments, Memorials, and Public Demonstrations - Free Essay Example

Sample details Pages: 5 Words: 1582 Downloads: 5 Date added: 2019/04/26 Category History Essay Level High school Tags: Holocaust Essay Did you like this example? In the same way that a film or picture can evoke countless feelings and emotions from its audience, monuments, memorials, and public demonstrations have the same ability. The events of the Holocaust have created an everlasting impact on not only those affected and the future generations, but even cities and countries that were not directly affected. The Holocaust Memorial located in Marion Square in Charleston, South Carolina attracts hundreds of residents of the city and tourists from all across the globe among the duration of the day. Don’t waste time! Our writers will create an original "Holocaust: Monuments, Memorials, and Public Demonstrations" essay for you Create order Almost hidden in plain sight among the trees stands a memorial that provides purpose and displays a moving message that an unaware passerby may not understand if never visited before. Constructed in 1999 by architect and Jonathon Levi, the monument was built to commemorate the 19 Holocaust survivors who relocated to South Carolina. Levis design features three separate components to transcend even the terrible events of the mid-twentieth century; the place of assembly, a place meant to gather, and the place of remembrance (Boughton). The place of assembly features concrete steps facing the grass where gatherers come to commemorate the annual Yom Ha Shoah Ceremony (waymarking.com) The second component of the memorial is the sanctuary, where passerbys can reflect and can take a moment to think of the horrific events that revolutionized the twentieth century. It features a rectangular iron screen that sits seventeen feet high, sixty feet long, and twenty-five feet wide. Inside the screening lies a twelve-foot long tallit or Jewish shall that is worn during prayer or during burial. The abandoned tallit stands for those who have died as the screening represents a prison , synagogue, or concentration camp (e.g. see fig. 1). The final component, the place of remembrance is where plaques are displayed on a large concrete wall honoring originally twenty-four Holocaust victims, but since 2015, survivors and the (Fig 1.) The Holocaust Memorial located in Charleston, South Carolina features the iron fence and tallit. twenty-four concentration camp locations have been added to the list as well (Greuber). One of the plaques features a brief message describing the purpose of a tallit. It explains, The tallit is a four cornered garment worn by many Jews at prayer. It is customary for Jews to use the tallit as a burial shroud with one of its four fringes removed as a symbol of death and mourning. This is highly symbolic since it is traditional to be buried with this religious prayer shawl primarily for men, but women too who prayed with this garment. The abandoned shawl strategically placed in the memorial represents the fallen synagogues in Europe whose services were dismantled and striped away from its community. Although its physical size is overwhelming and its symbolic representation is as just, it can easily be overlooked if not consciously looking for it. Passing by the memorial on my runs, I was unaware of it ever existing until recently. Its unassuming and simple concrete walls which feature names of survivors and concentration camps locations prove that despite the under-bearing design, its symbolic meaning is greater than the physical aspect of it. The plaques are set in concrete, making it discreet enough for people walking along the street not to notice, but when the sunlight hits the area, illuminating the Holocaust victims names honored in the memorial (e.g. see fig. 2). After researching the purpose of the memorial, (Fig. 2) Two of the nineteen last names of the Holocaust survivors residing in South Carolina displayed at the Holocaust Memorial in Charleston, South Carolina. each component became more compelling and intriguing and is evidence of the saying, Vision is the art of seeing what is invisible to others. (Jonathon Swift). Without visiting the memorial, it wouldve remained in my memory as an unsuspecting, random architectural design located in Charleston, known for its art scene. After my experience, I have a newfound appreciation for the subtle but loud message of the pain and suffering of those who have been mistreated without having to witness the physicality of it. Our generation cannot empathize with these victims as we have not been through the same atrocities they have endured, but we can sympathize and make sure an act such as the Holocaust never occurs again. The survivors name are inscribed in the memorial which gives the audience a personal connection to those being honored. The article, Making the Memorial written by Maya Lin discusses the making of the Vietnam Veterans Memorial as she was the designer for it and how she was criticized for being impersonal about the incidents that occurred. She explains, I think as well the listing of names reflected a response by these designers to the horrors of World War I, to the immense loss of lifeThey [memorials] captured emotionally what I felt memorials should be: honest about the reality of war, about the loss of life in war, and about remembering those who served and especially those who died (Lin). Not only does this evoke emotions from any audience of a memorial, but with the Holocaust Memorial in Charleston, it seems to promote a sense of optimism listing survivors, instead of the millions of victims. A quote is placed above the names of the countries which reads, On that day, one who has escaped will come to you to let you hear it with your own ears. Ezekiel 24:26 (e.g. see fig. 3). (Fig. 3) A quote from Ezekiel 24:26 inscribed into a plaque located on a portion of the Holocaust Memorial located in Charleston, South Carolina. The living survivors are the only ones who can recount the experiences of concentration camps, even as they pass on, the stories they tell will be the tales that continue to impact the generations to come. In 2015, when a ceremony was held for the rededication of the memorial, Holocaust survivor Joe Engel spoke, Never again! Thats why we are all here, to remind ourselves, never again (Boughton). It seems as our duty as a society is to consistently remember the torture the survivors endured and the bravery and courage of all the survivors and those who have perished. One of the plaques explains that we must alert ourselves to the dangers of prejudice, to express our outrage at the scourge of racism, and to warn the world that racism can lead to genocide. The creator of this memorial purposely displayed plaques that are thought-provoking and sorrowful, but also to let us not forget that the exigence of prejudice and racism remains in our society today. Despite being constructed nearly two decades ago, the message is prevalent and fitting to the conflicts in the United States in 2018 with constant talk about police brutality among Blacks and prejudice against Muslims. In the piece The Effects of Public Memorials on Social Memory and Urban Identity constructed by Ebru Erbas Gurler and Basak Ozer, the writers discuss the impact of an audience and the location of a memorial. It states, Moreover, these memorials help tourists to carry this frame of mind back to their own countries and inspire them to establish a bond with similar crimes and problems today, whether faced in different societies or in different contexts (Gurler et al). The audience of the memorial isnt limited to the citizens of Charleston, but tourists and people of all ages and races visiting the city from all over the world. The message and purpose of the memorial can be taught to children of any gender, adults of any race, elders with any ailments. Prejudice is not accepted and it is irresponsible to be ignorant or forgetful of the crimes that happened on humanity during World War II. Not only does The Effects of Public Memorials on Social Memory and Urban Identity discus the significance of an audience and the location of a memorial, the writers discuss an essential point that correlates to the message of the Holocaust memorial. Public memorials, which remember the events and the pain they caused to the public through (civil) war, terrorism, genocide, etc. In our day, they are actually reflecting the psychological and sociological requirements of the societies on the landscape (Gurler et al). As discussed in their writing, it is implied that through the takeaway after visiting the Holocaust Memorial in Marion Square, it is our societys duty to be the voice of the previous generation who suffered and can longer share their story. We have to reflect upon the psychological and sociological requirements of Charlestons society to bring constant awareness and to never forget the events that coincided. The article written by James E. Young titled Memory and Counter-Memory compares different design approaches to Holocaust memorials and highlights its distinct differences. Both a monument and its significance are constructed in particular times and places, contingent on the political, historical, and aesthetic realities of the moment (Young). The Holocaust is a memory that is individual to each visitor who views the memorial in Marion Square. It reflects the time period during which the memorial was built. The events of the Holocaust are discouraging and haunting, the millions of those who have lost their lives from brutality have been encapsulated in memorials, photographs, and monuments constructed by architects, designers, and artists who have deemed it crucial to display their message to society. The symbolism of this memorial celebrates and honors the large population of Jewish faith still residing in Charleston, South Carolina. The Holocaust Memorial in Marion Square sheds light on the survivors and urges visitors to eternal recall the monstrosities conducted on human life.